{"title":"Mahsa Vahdat","description":"","products":[{"product_id":"mahsa-vahdat-enlighten-the-night","title":"Mahsa Vahdat \/\/ Enlighten the night \/\/ CD","description":"\u003cdiv class=\"page\" title=\"Page 1\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"section\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"layoutArea\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"column\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eTHE ACT OF FREEDOM \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e4.18\u003cbr data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e2. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eWHERE IS THE HOME OF THE WIND \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e4.04\u003cbr data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e3. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eFAREWELL \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e3.50\u003cbr data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e4. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003ePRECIOUS CUP \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e3.19\u003cbr data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e5. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eBOOTARAB \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e3.37\u003cbr data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e6. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eENLIGHTEN THE NIGHT \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e4.23\u003cbr data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e7. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eTHE MOON BEAMS \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e4.35\u003cbr data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e8. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eNEY DAVOUD \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e5.58\u003cbr data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e9. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eTHE ROSES AND THE MEADOW \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e2.37\u003cbr data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e10. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eIF I WERE GOD \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e1.27\u003cbr data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e11. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eLOVELORN \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e1.30\u003cbr data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e12\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eTHE DAWN \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e2.19\u003cbr data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e13. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eI WILL BUILD YOU AGAIN, MY COUNTRY \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e3.53\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eFXCD 469\u003cbr\u003e KIRKELIG KULTURVERKSTED \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOSLO, NORWAY 2020 WWW.KKV.NO \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Kirkelig Kulturverksted","offers":[{"title":"Default Title","offer_id":41544360526019,"sku":"FXCD469","price":179.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7116\/3587\/products\/FXCD469_1000x1000_MahsaVahdat.jpg?v=1645521469"},{"product_id":"nelia-safaie-songs-from-lands-of-silence-cd","title":"Nelia Safaie \/\/ Songs from Lands of Silence \/\/ CD","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eNelia Safaie sings songs from Lands of Silence\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Iranian singer-songwriter \u003cb data-mce-fragment=\"1\"\u003eNelia Safaie\u003c\/b\u003e is making her debut this autumn with the album “\u003ci data-mce-fragment=\"1\"\u003eSongs from Lands of Silence”\u003c\/i\u003e. This album is a testimony to hope and light against a dark background. Nelia has written most of the songs herself. Her lyrics are about expectations of a new morning with pure rivers, fertile fields and waves of light, and about the yearning that always fills us all.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNelia Safaie is a student of the famous artist Mahsa Vahdat. Nelia presented two songs in the project \u003ci data-mce-fragment=\"1\"\u003e“Songs in the Mist”\u003c\/i\u003e in 2016, where also many other students of Mahsa Vahdat took part, among them Ooldouz Pouri whose debut album was released last year. The two students take part in building a longlasting educational and pedagogical platform of Persian vocal arts that Mahsa has established during more than 20 years as a teacher and mentor. The later years the record company Kirkelig Kulturverksted has supported this work in several ways. The albums of Nelia Safaie and Ooldouz Pouri are results of this work, and they represent important steps for the artists.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOn the cover she offers this preface:\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eI caress your dark hair\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eMildly, with patience, until the knots\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eYou are in my arms, hardened by the tears on your cheek,\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eSleeping sorrowful\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eAnd I am preparing a feast to make you happy\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eThis is all I can do\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eInvite the world to one day\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eTo gaze into your beauty\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eMy land!\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe album title and the preface lead one’s thoughts immediately to the situation of female singers in Iran, where they are prohibited from singing solo in public. But Nelia reaches further than that. This album can also be about marginalization and neglect in a more existential perspective, experiences that many people have in our time, where violent and dramatic changes in people's everyday lives may leave them silent and impotent.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHere is an excerpt from one of Nelia's lyrics:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eI come from an old land full of silence,\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eLips full of silence and heart full of words\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eFrom silent and sad roads\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eFrom that precious mountain\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eStay an old, patient land\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eMy Iran, show your face to the world\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eMorning is coming, beautiful!\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eRemember, from that fra distance\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eI come back for you to smile\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eThat’s it…\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOne of the songs is a tribute to the legendary female musician \u003cb data-mce-fragment=\"1\"\u003eNakisa\u003c\/b\u003e who lived in the pre-Islamic Persia:\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eI paint on canvas my own Nakisa in red\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003emy hair in black then request love passionately\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eWhen the sunset light is bound to my canvas\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eI become quiet then I create my own Nakisa\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNelia Safaie has written most of the songs on the album. Three of them are folk songs from north of Iran, from the area by the Caspian Sea. Nelia sings and plays the string instruments \u003ci data-mce-fragment=\"1\"\u003esetar\u003c\/i\u003e, \u003ci data-mce-fragment=\"1\"\u003etar\u003c\/i\u003e and \u003ci data-mce-fragment=\"1\"\u003ebaghlama\u003c\/i\u003e on her debut album. Contributors include the Norwegians \u003cb data-mce-fragment=\"1\"\u003eGjermund Silset\u003c\/b\u003e on bass and \u003cb data-mce-fragment=\"1\"\u003eKenneth Ekornes\u003c\/b\u003e on percussion, and the \u003cb data-mce-fragment=\"1\"\u003eTurk Emre Sınanmış\u003c\/b\u003e on \u003ci data-mce-fragment=\"1\"\u003eduduk\u003c\/i\u003e. \u003cb data-mce-fragment=\"1\"\u003eErik Hillestad\u003c\/b\u003e has recorded and mixed the album in Maridalen Church. Nelia's mentor, \u003cb data-mce-fragment=\"1\"\u003eMahsa Vahdat,\u003c\/b\u003e has produced the record together with Erik Hillestad.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAbout Nelia Safaie:\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNelia was born in 1977 in Gorgan in Iran, where her parents still live.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e  \u003c\/span\u003eHer father was a postmaster, her mother a PE teacher. Her father taught her to play \u003ci data-mce-fragment=\"1\"\u003esantoor\u003c\/i\u003e and violin. At the age of 15 she started learning to play the \u003ci data-mce-fragment=\"1\"\u003etar\u003c\/i\u003e, and ever since has worked with music, for more than 20 years. She moved to Tehran ten years ago because her hometown was conservative when it came to performing music. In 2009 she started vocal studies with Mahsa Vahdat and later with Hamidreza Noorbarj. She also attended classes given by Hossein Alizadeh (\u003ci data-mce-fragment=\"1\"\u003etar\u003c\/i\u003e and composition), Keyvan Saket, Fariborz Azizi and Zeidollah Toloei (\u003ci data-mce-fragment=\"1\"\u003etar\u003c\/i\u003e). She is self-taught on the \u003ci data-mce-fragment=\"1\"\u003esetar\u003c\/i\u003e and \u003ci data-mce-fragment=\"1\"\u003ebaghlama\u003c\/i\u003e, which are both Persian string instruments in the same family as the \u003ci data-mce-fragment=\"1\"\u003etar\u003c\/i\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTrack list:\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1. Shoopeh                              6.44\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2. Mouye-Zar                          6.11\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e3. Me, the Cradle and You     7.00\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e4. I’m Another Nakisa            3.32\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e5. It’s the Time                        7.29\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e6. Telavang                              6.15\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e7. True Hope                           7.58\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e8. Iran, the Ancient Land       5.59\u003c\/span\u003e\u003c\/p\u003e","brand":"Kirkelig Kulturverksted","offers":[{"title":"Default Title","offer_id":41562616889539,"sku":"FXCD464","price":179.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7116\/3587\/products\/1000x1000_Nelia_forside_HOY.jpg?v=1646060811"},{"product_id":"kronos-quartet-mahsa-and-marjan-vahdat-placeless-cd","title":"Kronos Quartet \u0026 Mahsa and Marjan Vahdat \/\/ Placeless \/\/ CD","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNorwegian record label Kirkelig Kulturverksted (KKV) releases \u003ci data-mce-fragment=\"1\"\u003ePlaceless\u003c\/i\u003e internationally on 1 March. The album is the first collaboration between the San Francisco–based \u003cb data-mce-fragment=\"1\"\u003eKronos Quartet\u003c\/b\u003e and Iranian singers \u003cb data-mce-fragment=\"1\"\u003eMahsa and Marjan Vahdat\u003c\/b\u003e. \u003ci data-mce-fragment=\"1\"\u003ePlaceless \u003c\/i\u003ehas 14 melodies that Mahsa Vahdat composed to classical poems by Hafez and Rumi and the works of contemporary Iranian poets Forough Farrokhzad, Mohammad Ibrahim Jafari and Atabak Elyasi. Composers Sahba Aminikia (Iran\/US), Aftab Darvishi (Iran\/ Netherlands), Jacob Garchik (US) and Atabak Elyasi arranged the songs for string quartet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDespite spanning a period of 800 years, even the oldest poems are still surprisingly relevant, showing how the human heart is always the same, regardless of time, place and culture. The album title \u003ci data-mce-fragment=\"1\"\u003ePlaceless\u003c\/i\u003e references a well-known poem by Rumi from the 13th century:\u003cbr data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eI am not from the East, nor from the West\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eI am not from the land, nor from the sea \u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eI am not from the world, not from beyond \u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eMy place is placelessness. My trace is tracelessness.\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“This recording is a milestone for us,” says Mahsa Vahdat. “The wonderful musicians in Kronos Quartet have given our music new dimensions. Our lives are constantly changing in relation to time and place. Our home and where we belong - this is all over the globe. By performing poems from Persia’s classical era, we have been coming closer and closer to finding an organic connection between what we express in our art and the way we live.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCommenting on the new release, Kronos’ artistic director, founder and violinist \u003cb data-mce-fragment=\"1\"\u003eDavid Harrington\u003c\/b\u003e states, “We’re always trying to learn as much as we can, and now, recording with Mahsa and Marjan, we sometimes are able to make sounds we have never before heard from our instruments.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Kronos Quartet has a 45-year career behind it, bravely and tirelessly striving to seek new musical experiences by continuously collaborating with new artists and composers. For 25 years, Mahsa and Marjan Vahdat have had an innovative attitude in their quest to give Persian poetry and music new expressions in collaboration with a number of musicians from many countries, from both their own region and other parts of the world.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKronos and Mahsa Vahdat were first introduced by Sahba Aminikia, when he served as the artist-in-residence of Kronos Festival 2017. Kronos and Mahsa Vahdat first performed together at the SFJAZZ Center in San Francisco on 2 February 2017, as part of that annual festival produced by the nonprofit Kronos Performing Arts Association. Since then, Kronos and Mahsa Vahdat performed an encore set at Kronos Festival 2018 and have been presented by the City of Geneva’s outdoor concert series Musiques en été, Oslo World Music Festival (with Marjan Vahdat), University of California, Santa Barbara, Arts \u0026amp; Lectures.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis year, Kronos and Mahsa Vahdat will perform concerts presented by Carnegie Hall on 8 February in New York, New York; Washington Performing Arts on 2 March in Washington D.C.; Narodowe Forum Muzyki and Jazztopad Festival on 9 March in Wrocław, Poland; and Green Music Center on 9 May in Sonoma, California.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003ePlaceless\u003c\/i\u003e is produced by KKV's\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003efounder Erik Hillestad. He also produced \u003ci data-mce-fragment=\"1\"\u003eLullabies from the Axis of Evil\u003c\/i\u003e (2004), which featured Mahsa and Marjan Vahdat. That album was the start of a long and productive collaboration, which has led to Hillestad’s producing all subsequent releases by the Iranian sisters.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTrack list:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1. Placeless                                       3.10\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2. My Ruthless Companion             3.16\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e3. My Tresses in the Wind               3.32\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e4. I Was Dead                                   3.12\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e5. Endless Embrace                         3.45\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e6. Fate Astray                                   2.58\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e7. The Sun Rises                               5.44\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e8. Vanishing Lines                            5.25\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e9. The Might of Love                       3.05\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e10. Far Away Glance                         3.13\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e11. Leyli’s Nightingales                     3.36\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e12. Color of Moonlight                      4.18\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e13. Lover Go Mad                             3.23\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e14. Eternal Meadow                          3.19\u003c\/span\u003e\u003c\/p\u003e","brand":"Kirkelig Kulturverksted","offers":[{"title":"Default Title","offer_id":41566449729731,"sku":"FXCD457","price":179.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7116\/3587\/products\/cover_placeless_1000x1000px_7f03bb5b-d712-410c-ac4a-91da585cdcb2.jpg?v=1646126900"},{"product_id":"ooldouz-pouri-waiting-for-the-dawn-cd","title":"Ooldouz Pouri \/\/ Waiting for the Dawn \/\/ CD","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eShe shows us the Azerbaijani Iran\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOoldouz Pouri is a new talent emerging from the hidden world of female singers from Iran. As a pupil of Mahsa Vahdat, she has had a good tutor to help her learn the art of Persian song. While the Americans are pressing sanctions against her country to a devastating level, she is releasing an album with the fitting title “Waiting for the Dawn”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShe is joined by a team of accomplished Norwegian musicians: On guitar Olav Torget, on bass Gjermund Silset and on accordion Jovan Pavlovic. The Iranian percussionist Ali Rahimi, who has earlier contributed to several KKV releases with Mahsa and Marjan Vahdat, also appears on the album.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOoldouz Pouri's repertoire is almost exclusively songs from Azerbaijani Iran. Azerbaijani Turks are the largest ethnic minority in the country, comprising 20 per cent of the population. Most of them live in the north-western region of the country and in the capital Tehran, where Ooldouz also lives. She has already performed on stage in both Sweden and Norway, and is featured on two tracks on the album “Songs in the mist – young Iranian female voices”, which was released on the KKV label in 2016.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe songs on the new album by Ooldouz Pouri are mostly older ones belonging to the popular culture in Iran and Azerbaijan in the golden days of the 1950s and 1960s, often recorded by grand divas while records with female soloists were still allowed to be sold in Iran. Ooldouz\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ewants to bring this music back into the spotlight with her new project. The songs, mostly performed in Azeri, a language belonging to the Turkish linguistic family, deal with love and its many faces: sweet, salt and bitter. The music gives us associations to styles from Portugal, Argentina and Eastern Europe, but there is an unmistakeable Oriental feel to it all.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe producers are Mahsa Vahdat and Erik Hillestad. The project has been funded by the Norwegian Ministry of Foreign Affairs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTrack list:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1. Sene de Qalmaz \/ Lonely I am                                                       5.14\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2. Nece ünüdüm seni \/ How can I forget you?                                 5.19\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e3. Sevmamak Olmaz \/ Can’t help falling in love                               2.15\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e4. Heyf \/ Alas!                                                                                     5.16\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e5. Shabe Mahtab \/ The moonlight night                                           4.11\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e6. Gǝlmǝdin \/ Why didn’t you turn up?                                             5.07\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e7. Yalariam \/ Wounded I am                                                               6.23\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e8. Kuçelere Su sepmişam \/ I have swept the dust off the lanes    4.48\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e9. Hardasan Yar \/ Where are you, my love?                                     5.13\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e10. Lay Lay \/ Lullaby                                                                           3.55\u003c\/span\u003e\u003c\/p\u003e","brand":"Kirkelig Kulturverksted","offers":[{"title":"Default Title","offer_id":41566528143555,"sku":"FXCD455","price":179.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7116\/3587\/products\/1000x1000_FXCD455_Ooldouz_Pouri_Dawn_FORSIDE_72dpi.jpg?v=1646127759"},{"product_id":"mahsa-vahdat-coskun-karademir-endless-path-cd","title":"Mahsa Vahdat \u0026 Coşkun Karademir \/\/ Endless Path \/\/ CD","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA strong spirituality from distant centuries, borne by stories, poems, melodies and images, comes alive in this project that is uniting the poets Rumi and Yunus Emre and the Norwegian visual artist Emanuel Vigeland.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTwo singers, Mahsa Vahdat from Iran and \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eCoşkun Karademir from Turkey, channel this encounter between these three artists when they allow cascades of words and tones to reverberate around the walls of Vigeland's magnificent mausoleum in Vinderen in Oslo, where the echoes last more than 14 seconds.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn addition to the vocalists Mahsa Vahdat and Coşkun Karademir we meet Özer Özel and Omer Arslan, both from Turkey, the first on the tambour the latter on percussion, in addition to the Iranian Mahdi Teimori who plays ney flute. Coşkun also plays the kopuz and baghlama string instruments.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe album, recorded by Martin Abrahamsen, has been produced by Erik Hillestad and is released by KKV.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTurkey and Iran are aesthetically and culturally connected. Their being neighbours and trading partners with common travel routes for many centuries is reflected in the tonalities, metaphors and poetic references that correspond between the meditative songs on this album.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePersian and Anatolian poetry and music have embraced each other since the days when mystics wandered the region, when no language barriers or other boundaries could impede the free flight of ideas across the mountains, valleys and plains.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAs a young man, Moulana Jalalod-din\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e Rumi emigrated from Balkh in present-day Afghanistan and settled in Konya in Anatolia, where he spent most of his life and penned his most famous love poems in Persian, inspired by his ground-breaking encounter with the mystic Shams Tabriz. Yunus Emre lived in the same region at about the same time and sang his songs in Turkish, one of the very first to do so.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis was a renaissance period for free souls who shared ideas that have become essential for humanity, humanistic ideas that have survived the changing dictatorships in the region. These ideas revolve around the human heart, our endless wandering and our free access to the grace and love of the Loved One, and how love is the world's most important source of creative power.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Norwegian visual artist Emanuel Vigeland (1875-1948) has expressed similar ideas through his frescoes which adorn the walls of his mausoleum. Here the many aspects of human life are expressed in this lofty space. The impressive acoustics hint at the eternity of the music and poems of the two mystics from the Anatolian and Persian traditions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTrack list:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1. May This Meadow Have Flowers - \u003c\/span\u003e\u003cspan\u003eChamman                                             \u003c\/span\u003e\u003cspan\u003e 7.46\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2. Come, See What Love Has Done To Me - Aşk Neyledi                              4.38\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e3. Endless Ocean - \u003c\/span\u003e\u003cspan\u003eBahreh Bi Karan\u003c\/span\u003e\u003cspan\u003e                                                                5.58\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e4. Come, Heart, Let Us Go To The Beloved - Gel Dosta Gidelim Gönül       5.02\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e5. Show Your Face - \u003c\/span\u003e\u003cspan\u003eBen Mai Rokh\u003c\/span\u003e\u003cspan\u003e                                                                  5.38\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e6. Hear O Great Ones - İşidin Ey Ulular                                                           6.10\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e7. The Revolt Of Love - \u003c\/span\u003e\u003cspan\u003eDar Asheghi\u003c\/span\u003e\u003cspan\u003e                                                                6.26\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e8. I’ll Not Die - Ölmezem Gayrı                                                                         7.07\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e9. Make My Garden Laugh - \u003c\/span\u003e\u003cspan\u003eBagh e Mara Bekhandan                                  \u003c\/span\u003e\u003cspan\u003e 5.28\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e10. The Caravan Has Passed - Göçtü Kervan                                                  7.05\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e11. Don’t Leave Me - \u003c\/span\u003e\u003cspan\u003eTo Maro\u003c\/span\u003e\u003cspan\u003e                                                                           8.25\u003c\/span\u003e\u003c\/p\u003e","brand":"Kirkelig Kulturverksted","offers":[{"title":"Default Title","offer_id":41567216369859,"sku":"FXCD443","price":179.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7116\/3587\/products\/FXCD443cover_vahdatCoskun2400x2400.jpg?v=1646138202"},{"product_id":"mahsa-vahdat-the-sun-will-rise-cd","title":"Mahsa Vahdat \/\/ The Sun Will Rise \/\/ CD","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\"The sun will rise\"\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMahsa Vahdat's stunning voice has caught international attention. She has over the last 10 years released 7 albums, some together with the sister Marjan and some with other artists. Her latest solo album \"Traces of an Old Vinyard\" has recently been chosen by the magazine Songlines as one of the best albums of 2015.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn April 2016 she releases her new a cappella album “The sun will rise” with 21 songs performed by her solo voice only. Most of the songs are Mahsa’s own melodies composed to traditional and contemporary Persian poetry.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe record is a pilgrimage to a beauty marked by stains of love and dreams. In old churches, castles and halls - in Van, Istanbul, Oslo, Wroclaw, Provence and Alhambra, Mahsa's voice fills rooms of hidden stories and mysteries. Her orchestra is just the echo from walls and vaults, floors and columns in the rooms she and her engineer and producer Erik Hillestad chose for recording.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMahsa found the needed inspiration from unspoken stories and layers of time, expressed through architecture and art, and through the patina left by time and by life itself. She wanted to go to similar places in Iran, but because she is not allowed to perform in public places there, she had to record in other countries.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDuring this journey, Mahsa’s emotional moods would receive suggestions for which songs to sing from the walls, windows and bricks, and even from the scent of the rooms where the recordings took place.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn some cases there were also people present in the recording sessions, so it became like a live performance for a limited audience. In other places, the presence of birds, footsteps, bells, distant voices, brooks and fountains became natural elements of the flow of music.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShe recorded around 50 songs, and 21 of them were selected for the new album.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBorn in Tehran in 1973, Mahsa Vahdat entered the Art University in Tehran in 1993 and graduated from the Music Faculty with a BA in Music. She took part in the 2004 thought-provoking musical statement “Lullabies from the Axis of Evil.” Freemuse Award Winner 2010.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHere are Mahsa’s own words on the cover of the new album:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMy voice is my homeland.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMy body is my instrument.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMy songs are about freedom, love and longing.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMy work is to trust the moment and make it eternal\u003ci data-mce-fragment=\"1\"\u003e.\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn the most passionate moments of my singing, I fly to the landscape of the Alborz Mountains.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWherever in the world I sing, the rays of their sun interweave with my breath.\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eThe recording places\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eThe Emanuel Vigeland Museum, Oslo, Norway\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe painter Emanuel Vigeland’s masterpiece is his own mausoleum in Oslo. Here he has created a barrel-vaulted room with an 800 square meter fresco called “Vita”. The walls and ceiling are covered with motives from human life, from birth to death, reinforced by the unusual and overwhelming acoustics of the room.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eÉglise Saint-Claude, Sigonce, Provence, France\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA beautiful old Gothic church built in the late 14\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e century, at the time when the Iranian poet Hafez lived in Shiraz. The village of Sigonce is a pictoresque jewel with a relaxed, friendly atmosphere.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eIglesia de Santa Maria, Requena, Spain\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSome miles north-west of Valencia the small town Requena holds the 14th century Church of Santa Maria with it's wonderful acoustics. Today the building is a concert place, not unlike the Jakob Church in Oslo, where the record company KKV is located.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eCrimea Memorial\u003c\/b\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e \u003c\/b\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eChurch, Istanbul, Turkey\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Crimea Memorial Church (built 1858-68) is an English church in the Taksim district of Istanbul. Donated by Sultan Abdulmecit, in memory of British soldiers who participated in the Crimean war.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e Istanbul is Mahsa’s favourite city outside of Iran.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eParador de San Francisco in Alhambra\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn Alhambra, among gardens and fountains you find a former Franciscan monastery, now turned into a hotel. The remains of an old Nasrid palace from the Muslim era have been preserved in the “Nazarí Room” where we did the recording\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eSaint Elisabeth Church, Wroclaw, Poland\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSt Elizabeth’s Church (14\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e century) is a Gothic church in Wroclaw, an iconic structure of the city's panorama.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eSince 1999 there is a memorial on the church property to Dietrich Bonhoeffer, a native of the city and martyr to the anti-Nazi Cause. We did the recording in one of the chapels in the church.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003ePalacios Nazaríes\u003c\/b\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e, \u003c\/b\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAlhambra, Spain\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlhambra is an outstanding example of Oriental architechture. We recorded in The Palace of the Lions (14\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e century), built by Muhammad V. This is a wonderful example of the integration of architecture, gardens and water. We included the sound of the fountains in the recordings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAkdamar Cathedral of the Holy Cross, Van Lake, Turkey\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA medieval \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eArmenian \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003ecathedral, built in 915, exactly 1000 years before the Armenian genocide. The church is situated on an island in Van Lake. We recorded on a day when the cherry trees around the church bloomed. The snow covered mountains around the lake made a stunning view from the green island. The closest place to Iran we came during the journey of this album.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTrack list:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e1. The sun rises                                        3:49\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e2. My eyes brim with the sea                  2:53\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e3. Show your face\u003cspan data-mce-fragment=\"1\"\u003e                                    3:02\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e4. Deylaman                                             2:32\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e5. The blue of passion                             1:54\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e6. The pain of love                                   3:18\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e7. The pair of your hair                             1:35\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e8. The scent of earth                               1:38\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e9. The land of love                                   2:44\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e10. Plea                                                     2:46\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e11. Neyriz                                                  1:46\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e12. Imprints                                              2:32\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e13. The hidden secret                             1:36\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e14. The Leiti Lullaby                                2:03\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e15. The vow                                             3:00\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e16. Rapacious lovers                               3:13\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e17. The caravan of life\u003cspan data-mce-fragment=\"1\"\u003e                             1:33\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e18. Elegy for a beloved one                    1:18\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e19. The news of reunion                         1:56\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e20. Lullaby                                               2:00\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e21. Primordial Mysteries                         1:28\u003c\/span\u003e\u003c\/p\u003e","brand":"Kirkelig Kulturverksted","offers":[{"title":"Default Title","offer_id":41586305532099,"sku":"FXCD422","price":179.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7116\/3587\/products\/FXCD422_1500x1500_MahsaACappella.jpg?v=1646647394"},{"product_id":"mahsa-vahdat-traces-of-an-old-vineyard-cd","title":"Mahsa Vahdat \/\/ Traces of an Old Vineyard \/\/ CD","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eTraces of an Old Vineyard\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAs a tribute to a defiant and rich heritage and to a world of beauty and unknown depth, the celebrated Iranian singer Mahsa Vahdat.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAfter six albums with different kinds of collaboration (with her sister Marjan, with the American soul singer Mighty Sam McClain and with the Norwegian choir SKRUK), she now for the first time carries a project under her own name.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe album contains her own melodies to poems by the classical Iranian poets Khayyam, Hafez and Rumi. The musicians who are accompanying her are Tord Gustavsen on piano and keyboards, Shervin Mohajer on the Persian string instrument kamancheh and Ali Rahimi on percussion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe poems on the record express a great variation on the many aspects of love and life: devotion, desires, ecstasy, tensions, disappointments and sorrows. The musical idea of the album is to develop the beauty of Persian poetry and vocal tradition within the frame of a meeting between Iranian contemporary instrumental music and a jazz pianist. All the songs are arranged by Tord Gustavsen with whom Mahsa has worked several times before.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe recording was done in Kulturkirken Jakob, Oslo in September 2014 by the sound engineer Martin Abrahamsen and the producer Erik Hillestad.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe album is supported by the Norwegian Ministry of Foreign Affairs and Fond for Utøvende Kunstnere.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMahsa Vahdat has been granted the Freemuse Award (2010). Her previous projects have been given great reviews in many countries. “Twinklings of hope” (2012) was regarded as a “Top of the World Album” by the Songlines Magazine, and won the “Independent Music Award” in 2013.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003eTrack list: \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e1. Vanishing Lines                                               4:16\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e2. My Ruthless Companion                                3:57\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e3. Sleepless Eyes                                                6:05\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e4. Wind in Tresses                                              5:21\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e5. Pledge With the Jar                                       4:26\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e6. Beauty on the Run                                         5:01\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e7. Morning Sun of Hope                                     3:04\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e8. Kissing the Wine Jug                                     4:20\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e9. The Flower's Garment                                   3:51\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e10. Once Again Beside Myself                          6:02\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e11. Fire in the Heart                                            4:40\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e12. Dialogue with the Beloved                          4:56\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Kirkelig Kulturverksted","offers":[{"title":"Default Title","offer_id":41586868551875,"sku":"FXCD409","price":179.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7116\/3587\/products\/FXCD409coverforsiden.jpg?v=1646657544"},{"product_id":"kirkelig-kulturverksted-40-years-credibility-cd","title":"Kirkelig Kulturverksted \/\/ 40 Years Credibility \/\/ CD","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eKKV's Umpteen Years Anniversary\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eKKV was 40 years old in 2014. The number 40 means \"many\" in Oriental traditions. The anniversary begins with a collection of highlights from a catalogue of 400 albums, most created against the current of the time.\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe pioneering enterprise KKV, Norway's oldest record company, has the nation's most exciting back catalogue. To celebrate our 40 years, this spring we will release a collectors' box with four CDs, one for each decade. We have titled this varied and rewarding playlist \"40 Years' Credibility\".\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe collection includes favourites from the earliest albums of many artists, a whole swarm of whom have made their debuts as solo artists on KKV over the years: \u003cb data-mce-fragment=\"1\"\u003eBjørn Eidsvåg, Kari Bremnes, Sigvart Dagsland, Kenneth Sivertsen, Sondre Bratland, SKRUK, Ragnar Vigdal, Arve Moen Bergset, Iver Kleive, Knut Reiersrud, the Norwegian Chamber Choir, Jørn Simen Øverli, Ryfylke Visegruppe, Deeyah (Deepika Thataal), Marianne Antonsen, Øystein Wingaard Wolf, Synnøve Rognlien, Ellen Sofie Hovland\u003c\/b\u003e and many more. On the anniversary release we meet them in the company of \u003cb data-mce-fragment=\"1\"\u003eErik Bye, Ketil Bjørnstad, Randi Stene, Ole Paus, Grethe Svensen, Bjarne Brøndboe, Agnes Buen Garnås, Katia Cardenal, Rim Banna, Mahsa Vahdat, Inger Lise Rypdal, Anita Skorgan, Povl Dissing and Carola.\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe collection also offers two tracks never before released on CD: A beautiful song by Henning Sommerro performed by Arnfinn Haram, now sadly passed away, and a track from Egil Hovland's All Saints Mass from the LP series \"New Church Music\".\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe fact that the collection has been given an English title reveals something about the development of KKV, bearing in mind our history as one of the most important standard-bearers for the Norwegian language and dialects. In the course of the last ten years our catalogue has been enriched by many international releases, not least from the Middle East, where some trendsetting artists have gained a platform for an international career through KKV. Our percentage of sales abroad is steadily rising, and our web shop is visited daily by customers from all parts of the globe.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe four CDs have each their own titles that characterise KKV's profile: \"Denying the dividing lines between the sacred and the profane\", \"Breaking traditions to maintain traditions\", \"Journeys between West and East and back and forth in time\" and \"The challenge of contrasts between East and West\".\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFor our 30-year anniversary we released \"30 Years' Fidelity\", a CD with its main focus on KKV's highly praised sound quality. This time the emphasis is on content, ideology and musical ideas. The release is furnished with information about the albums each track is taken from. The photos are from \u003ci data-mce-fragment=\"1\"\u003eKulturkirken Jakob\u003c\/i\u003e, the consecrated church building which has been KKV's haunt and live stage since 2000.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe final song of the collection is \"Vår Far\" [Our Father], the Lord's Prayer performed in Jesus' native language, Aramaic, taken from SKRUK's CD from 2013: \"Sangen fra Katakombene\" [The Song from the Catacombs].\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTrack list:\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCD1: 1974 - 1983\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Ryfylke Visegruppe: Oppunder Liaråsen \u003cspan class=\"Apple-converted-space\"\u003e         \u003cspan data-mce-fragment=\"1\"\u003e                                                   \u003c\/span\u003e \u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003c\/span\u003e3:51\u003cspan class=\"Apple-converted-space\"\u003e                                                           \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e2. Erik Bye: Den norske Dalevisa \u003cspan class=\"Apple-converted-space\"\u003e                                    \u003cspan data-mce-fragment=\"1\"\u003e                          \u003c\/span\u003e     \u003cspan data-mce-fragment=\"1\"\u003e           \u003c\/span\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003c\/span\u003e2:59 \u003cspan class=\"Apple-converted-space\"\u003e                                                            \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e3. Sondre Bratland: Eg er ein gjest i verda\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e                          \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e                     \u003c\/span\u003e   \u003cspan data-mce-fragment=\"1\"\u003e           \u003c\/span\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003c\/span\u003e3:53\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e4. Det norske Kammerkor: Kairos raude blom\u003cspan data-mce-fragment=\"1\"\u003e                         \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e                  \u003c\/span\u003e  \u003cspan data-mce-fragment=\"1\"\u003e           \u003c\/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e  \u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003c\/span\u003e4:26 \u003cspan class=\"Apple-converted-space\"\u003e                            \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e5. Ragnar Vigdal: Jesus gjør meg stille\u003cspan class=\"Apple-converted-space\"\u003e       \u003cspan data-mce-fragment=\"1\"\u003e                          \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e                    \u003c\/span\u003e    \u003cspan data-mce-fragment=\"1\"\u003e           \u003c\/span\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003c\/span\u003e3:21 \u003cspan class=\"Apple-converted-space\"\u003e                                                              \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e6. Dans med oss Gud: Salme fra fordømte\u003cspan class=\"Apple-tab-span\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e                          \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e                                     \u003c\/span\u003e\u003c\/span\u003e1:14\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e7. Det norske Kammerkor\/Arnfinn Haram: Ta harpå di, stem strenganje \u003cspan class=\"Apple-converted-space\"\u003e    \u003cspan data-mce-fragment=\"1\"\u003e           \u003c\/span\u003e\u003c\/span\u003e3:15\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e8. Nordstrand Kirkekor: Lektie from Allehelgensmesse\u003cspan class=\"Apple-converted-space\"\u003e  \u003cspan data-mce-fragment=\"1\"\u003e                            \u003c\/span\u003e  \u003cspan data-mce-fragment=\"1\"\u003e           \u003c\/span\u003e\u003c\/span\u003e2:17\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e9. Agnes Buen Garnås: Gjendines bådnlåt\u003cspan class=\"Apple-tab-span\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e                          \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e                                      \u003c\/span\u003e\u003c\/span\u003e5:20\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e10. SKRUK og Vårsøg: Som den gyldne sol frembryter \u003cspan class=\"Apple-converted-space\"\u003e      \u003cspan data-mce-fragment=\"1\"\u003e                                     \u003c\/span\u003e\u003c\/span\u003e1:57 \u003cspan class=\"Apple-converted-space\"\u003e                                                     \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e11. Bjørn Eidsvåg: En dag \u003cspan class=\"Apple-converted-space\"\u003e      \u003cspan data-mce-fragment=\"1\"\u003e                          \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e                          \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e                    \u003c\/span\u003e  \u003cspan data-mce-fragment=\"1\"\u003e           \u003c\/span\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003c\/span\u003e4:25\u003cspan class=\"Apple-converted-space\"\u003e                                                                        \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e12. Kenneth Sivertsen: Boaskjer\u003cspan class=\"Apple-tab-span\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e                          \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e                          \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e                             \u003c\/span\u003e\u003c\/span\u003e3:45\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCD2: 1984 – 1993\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Agnes Buen Garnås and Jan Garbarek: Rosensfole\u003cspan class=\"Apple-tab-span\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e                                              \u003c\/span\u003e\u003c\/span\u003e2:45\u003c\/p\u003e\n\u003cp\u003e2. Arve Moen Bergset: Liti Kjersti\u003cspan class=\"Apple-tab-span\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e                          \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e                                                     \u003c\/span\u003e\u003c\/span\u003e4:50\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e3. Hildegunn Riise and Voskresnije: Den fattige Gud\u003cspan data-mce-fragment=\"1\"\u003e                          \u003c\/span\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e                    \u003c\/span\u003e\u003c\/span\u003e2:21\u003c\/p\u003e\n\u003cp\u003e4. Randi Stene and Ketil Bjørnstad: The Token\u003cspan class=\"Apple-tab-span\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e                          \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e                               \u003c\/span\u003e\u003c\/span\u003e3:58\u003c\/p\u003e\n\u003cp\u003e5. Sigvart Dagsland: Festung Europa\u003cspan class=\"Apple-tab-span\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e                          \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e                                              \u003c\/span\u003e\u003c\/span\u003e4:20\u003c\/p\u003e\n\u003cp\u003e6. Deepika Thataal: Fire stemmer og en reise\u003cspan class=\"Apple-tab-span\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e                          \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e                                \u003c\/span\u003e\u003c\/span\u003e4:20\u003c\/p\u003e\n\u003cp\u003e7. Jørn Simen Øverli: Selvportrett\u003cspan class=\"Apple-tab-span\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e                          \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e                                                    \u003c\/span\u003e\u003c\/span\u003e3:44\u003c\/p\u003e\n\u003cp\u003e8. Kari Bremnes: Det sandeste\u003cspan class=\"Apple-tab-span\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e                          \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e                                                         \u003c\/span\u003e\u003c\/span\u003e3:01\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e9. Marianne Antonsen: Motherless Children\u003cspan class=\"Apple-tab-span\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e                          \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e                                   \u003c\/span\u003e\u003c\/span\u003e3:50\u003c\/p\u003e\n\u003cp\u003e10. Ole Paus: O, bli hos meg\u003cspan class=\"Apple-tab-span\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e                          \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e                                                             \u003c\/span\u003e\u003c\/span\u003e6:06\u003c\/p\u003e\n\u003cp\u003e11. Oslo Kammerkor and Randi Stene: Kom tilbake\u003cspan class=\"Apple-tab-span\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e                          \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e                        \u003c\/span\u003e\u003c\/span\u003e4:25\u003c\/p\u003e\n\u003cp\u003e12. Iver Kleive og Knut Reiersrud: Overmåde full av nåde\u003cspan class=\"Apple-tab-span\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e                                       \u003c\/span\u003e\u003c\/span\u003e4:35\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCD3: 1994 – 2003\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Knut Reiersrud: God Don’t Never Change\u003cspan class=\"Apple-tab-span\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e                        \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e                                     \u003c\/span\u003e\u003c\/span\u003e4:41\u003c\/p\u003e\n\u003cp\u003e2. Erik Bye: Det gode skip Jesus\u003cspan class=\"Apple-tab-span\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e                        \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e                \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e                        \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e                \u003c\/span\u003e\u003c\/span\u003e6:10\u003c\/p\u003e\n\u003cp\u003e3. Various artists: I have a dream \u003cspan class=\"Apple-tab-span\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e                        \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e                \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Apple-tab-span\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e                        \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e           \u003c\/span\u003e\u003c\/span\u003e5:20\u003c\/p\u003e\n\u003cp\u003e4. Grethe Swensen: La, la, la\u003cspan class=\"Apple-tab-span\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e                        \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e                \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e                        \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e                      \u003c\/span\u003e\u003c\/span\u003e3:50\u003c\/p\u003e\n\u003cp\u003e5. Bjarne Brøndbo: Va det du, Jesus\u003cspan class=\"Apple-tab-span\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e                        \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e                \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e                                 \u003c\/span\u003e\u003c\/span\u003e3:53\u003c\/p\u003e\n\u003cp\u003e6. Ole Paus: Livet og jeg\u003cspan class=\"Apple-tab-span\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e                        \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e                \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e                        \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e                             \u003c\/span\u003e\u003c\/span\u003e5:29\u003c\/p\u003e\n\u003cp\u003e7. Katia Cardenal: Juan y Salmon\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e (Jørgen Hattemaker)\u003cspan class=\"Apple-tab-span\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e                        \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e                 \u003c\/span\u003e\u003c\/span\u003e4:34\u003c\/p\u003e\n\u003cp\u003e8. SKRUK and musicians and singers from Azerbaijan: Sjelens Portaler\u003cspan class=\"Apple-converted-space\"\u003e    \u003cspan data-mce-fragment=\"1\"\u003e           \u003c\/span\u003e\u003c\/span\u003e5:52\u003c\/p\u003e\n\u003cp\u003e9. Acid Queen: Sema (Tell me what’s in your heart)\u003cspan class=\"Apple-tab-span\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e                        \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e                        \u003c\/span\u003e\u003c\/span\u003e7:43\u003c\/p\u003e\n\u003cp\u003e10. Sondre Bratland: Leid milde ljos\u003cspan class=\"Apple-tab-span\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e                        \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e                \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e                                  \u003c\/span\u003e\u003c\/span\u003e4:44\u003c\/p\u003e\n\u003cp\u003e11. Katia Cardenal: Historia de las sillas \u003cspan class=\"Apple-tab-span\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e                        \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e                \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Apple-tab-span\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e                           \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e3:50\u003c\/p\u003e\n\u003cp\u003e12. Øystein Wingaard Wolf: Møt meg på halvveien\u003cspan class=\"Apple-tab-span\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e                        \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e                          \u003c\/span\u003e\u003c\/span\u003e3:24\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCD4: 2004 - 2013\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Rim Banna and Kari Bremnes: Ya Lel Ma Atwalak - This Never Ending Night    6:25\u003c\/p\u003e\n\u003cp\u003e2. Carola: Lyss till änglesångens ord\u003cspan class=\"Apple-tab-span\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e                       \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e                \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e                       \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e          \u003c\/span\u003e\u003c\/span\u003e5:33\u003c\/p\u003e\n\u003cp\u003e3. Anita Skorgan: Dansen Går I Ring \u003cspan class=\"Apple-tab-span\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e                       \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e                \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Apple-tab-span\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e                       \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e          \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e3:24\u003c\/p\u003e\n\u003cp\u003e4. Mahsa Vahdat and Mighty Sam McClain: A Deeper tone of longing\u003cspan class=\"Apple-converted-space\"\u003e                 \u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003c\/span\u003e6:30\u003c\/p\u003e\n\u003cp\u003e5. Synnøve Rognlien: Det Røde \u003cspan class=\"Apple-tab-span\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e                       \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e                \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Apple-tab-span\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e                       \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e                  \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e5:39\u003c\/p\u003e\n\u003cp\u003e6. Jakobmesse: Kyrie\u003cspan class=\"Apple-tab-span\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e                       \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e                \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e                       \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e                                   \u003c\/span\u003e\u003c\/span\u003e2:59\u003c\/p\u003e\n\u003cp\u003e7. Marjan Vahdat: Rooted in you \u003cspan class=\"Apple-tab-span\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e                       \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e                \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Apple-tab-span\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e                       \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e                \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e5:23\u003c\/p\u003e\n\u003cp\u003e8. Kari Bremnes: Fantastisk allerede\u003cspan class=\"Apple-tab-span\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e                       \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e                \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e                       \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e          \u003c\/span\u003e\u003c\/span\u003e4:09\u003c\/p\u003e\n\u003cp\u003e9. Ellen Sofie Hovland: Det er ikke sant \u003cspan class=\"Apple-tab-span\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e                       \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e                \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Apple-tab-span\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e                       \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e    \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e4:05\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e10. Inger Lise Rypdal: 12 Gamle Skrog\u003cspan class=\"Apple-tab-span\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e                       \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e                \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e                       \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e       \u003c\/span\u003e\u003c\/span\u003e5:03\u003c\/p\u003e\n\u003cp\u003e11. Iver Kleive, Povl Dissing, Knut Reiersrud: Krist stod op af døde\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e                       3:21\u003c\/p\u003e\n\u003cp\u003e12. SKRUK: Vår far\u003cspan class=\"Apple-tab-span\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e                       \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e                \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e                       \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e                                       \u003c\/span\u003e\u003c\/span\u003e3:16\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"Kirkelig Kulturverksted","offers":[{"title":"Default Title","offer_id":41587112345795,"sku":"FXCD400","price":299.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7116\/3587\/products\/FXCD40040yearscredibility.jpg?v=1646662952"},{"product_id":"mahsa-vahdat-might-sam-mcclain-a-deeper-tone-of-longing-cd","title":"Mahsa Vahdat \u0026 Mighty Sam McClain \/\/ A Deeper Tone of Longing \/\/ CD","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMahsa Vahdat \u0026amp; Mighty Sam McClain:\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eLove duets across Civilizations – A deeper tone of longing\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEast meets West… again\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eUnder the heading “A deeper tone of longing”, Mahsa Vahdat from Iran and Mighty Sam McClain from the US have made a second album with ”Duets across Civilizations”. \u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn 2009 they recorded ”Scent of Reunion”. The album with love duets in Farsi and English got a wonderful worldwide reception both in many Western countries, and in the Iranian exile communities as well as in Iran itself. The record was like hands stretched out towards each other across borders and walls made by people in power.\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis time the title ”A deeper tone of longing” indicates that the duo has search another layer in their interpretation of love songs. The same poets; Mohammad Ibrahim Jafari and Erik Hillestad and the same composers; Mahsa Vahdat herself, Sigvart Dagsland and Knut Reiersrud are involved. The same Norwegian\/Iranian band, with Knut Reiersrud and Jarle Bernhoft (guitars), Mathias Eick (trumpet, bass and vibes), Rune Arnesen (drums) and Pasha Hanjani (ney), is accompanying the singers, supplied with one new, important element: The kamancheh player Shervin Mohajer. But because these people have worked together for a while, both on the stage and in the studio, the 10 songs with meetings between Persian and American music are shaped in a more mature and organic way than before, and the ethno\/blues fusion band sounds in a way less “polite” and careful than on the first album.\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTrack list: \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e1. A deeper tone of longing                                         6:30\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e2. When you came\u003cspan data-mce-fragment=\"1\"\u003e                                                       5:55\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e3. Nobody                                                                     4:50\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e4. Two jewels                                                                4:53\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e5. Sun of Iran                                                                5:42\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e6. We are sailors                                                           6:01\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e7. My heart doesn't know borders                              4:47\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e8. Refugee of love                                                        5:42\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e9. Lover's prayer                                                           4:37\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e10. Coat of dreams and silk                                         5:05\u003c\/span\u003e\u003c\/p\u003e","brand":"Kirkelig Kulturverksted","offers":[{"title":"Default Title","offer_id":41594302890179,"sku":"FXCD381","price":179.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7116\/3587\/products\/FXCD381.jpg?v=1646829157"},{"product_id":"skruk-mahsa-vahdat-i-vinens-speil-cd","title":"SKRUK \u0026 Mahsa Vahdat \/\/ I Vinens Speil \/\/ CD","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eI vinens speil (In the mirror of wine)\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThese songs are close relatives of drinking songs, erotic love songs and church music, but all the lyrics reflect the rich world of Islam.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWe are talking about a CD project with Sufi poems by Rumi and Hafez, interpreted by Mahsa Vahdat and Erik Hillestad, and presented by SKRUK and Mahsa in arrangements by Tord Gustavsen.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis album is an extraordinarily beautiful and powerful encounter between traditional Persian songs and Norwegian church music and jazz. It is perfect for meditation and understanding that the human heart is the same, whatever the period, whatever the culture.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHafez and Rumi lived in Iran and wrote in the Persian language: Rumi in the 13th century and Hafez a century later. They were mystics who within the world of Islam wrote poems that found inspiration in Islam, Christianity and the Zoroastrian religion. Mahsa Vahdat and Erik Hillestad have cooperated on translating some of their verse into Norwegian. The melodies are in part traditional Persian ones, while some are written by Mahsa Vahdat and Tord Gustavsen, who is also responsible for the arrangements.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe conductor of SKRUK is, as always, Per Oddvar Hildre. The choir and Mahsa Vahdat are accompanied by Tord Gustavsen on piano, Mads Eilertsen on bass and Kenneth Ekornes on percussion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePart of the philosophy of the mystics was that each of us has direct access to God’s mercy, regardless of religious structures. Mystics are found in all religions, but the great Persian poets have put down their thoughts and ideas in poems that are among the highlights in the canon of world literature. The popularity and importance of the poems in the Muslim world, and their sensuous content and existential messages, add to their high appeal, and they provide an excellent platform for dialogue between Christians and Muslims.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe album was recorded in Kulturkirken Jakob and Volda church in June and July this year by Alf Christian Hvidsteen. The songs will be performed for the first time live on 21 August at the church music festival in Kristiansand.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe album is being released at the same time as the book \"Hafez – 100 utvalgte dikt\" (Hafez - 100 selected poems) – translated by Mahsa Vahdat and Erik Hillestad, and published by Press Publishing House. The book and the album are both decorated with Persian miniatures from the 1400s from the museum \"Davids Samling\" (David's Collection) in Copenhagen, Denmark. Both of the releases have been funded by Mimeta, a Norwegian centre funding artists and organisations contributing to culture and development. Mimeta is owned by the Strømme Foundation and the Agder County Authority.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTrack list:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1. Gleden ved ditt kyss                                          4:30\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2. Dialog med den elskede                                   5:05\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e3. Som et brennende lys                                       7:10\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e4. I vinens speil                                                      8:50\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e5. Den tapte Josef                                                 5:35\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e6. Med blomster i fang                                          3:32\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e7. jeg er den som er berømt                                  5:35\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e8. Hyll Kjærligheten                                                6:36\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e9. Brevet til vinbæreren                                          6:20\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e10. Lytt til fløytens fortelling                                  6:25\u003c\/span\u003e\u003c\/p\u003e","brand":"Kirkelig Kulturverksted","offers":[{"title":"Default Title","offer_id":41597178740931,"sku":"FXCD360","price":179.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7116\/3587\/products\/FXCD360.jpg?v=1646907029"},{"product_id":"mahsa-marjan-vahdat-i-am-eve-cd","title":"Mahsa \u0026 Marjan Vahdat \/\/ I am Eve \/\/ CD","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eA musical and poetic manifestation from Iranian women\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe sisters \u003cb data-mce-fragment=\"1\"\u003eMahsa\u003c\/b\u003e and \u003cb data-mce-fragment=\"1\"\u003eMarjan Vahdat\u003c\/b\u003e who in 2007 released the CD ”Songs from a Persian Garden” have during the last years created a new collection of\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e  \u003c\/span\u003erecorded songs. It has happened in cooperation with Iranian musicians (ney, setar, bass, synth, oud, doudouk, kamancha, daf and other percussion), and with the composer, arranger and producer Atabak Elyasi.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAfter a fruitful cooperation with Knut Reiersrud and several Norwegian musicians on the “Songs from a Persian Garden” it is interesting to follow up with a project close to 100 percent born and created in Iran. Just the mix and the mastering is done in Norway\/Sweden.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe front page of the CD shows a more than 4000 years old woman figure from Iran, and together with the title “I am Eve” and the strong poetic power that fills the whole record, it strikes a tone of woman power which has the weight of thousands of years and makes the oppressing doctrines of present Iran a parenthesis of history.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe music on the record is more meditating and less experimental than “Songs from a Persian Garden”. But it still takes brave steps to renew the Persian tradition, both harmonically and in terms of sound. First of all, it brings power and beauty, and it is carried by fantastic vocal works and delicate and interesting arrangements.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“I am Eve” has melodic elements born from Persian classical tradition, shaped by the Vahdat sisters. The poems are written by contemporary poets in Iran like Azar Khajavi and \u003cb data-mce-fragment=\"1\"\u003eLayegh Shir Ali\u003c\/b\u003e and by classical poets like \u003cb data-mce-fragment=\"1\"\u003eRumi\u003c\/b\u003e and \u003cb data-mce-fragment=\"1\"\u003eBaba Taher\u003c\/b\u003e.\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAmong the musicians are \u003cb data-mce-fragment=\"1\"\u003ePasha Hanjani\u003c\/b\u003e and \u003cb data-mce-fragment=\"1\"\u003eAmir Eslami\u003c\/b\u003e (ney), \u003cb data-mce-fragment=\"1\"\u003eShervin Mohajer\u003c\/b\u003e (kamancha), \u003cb data-mce-fragment=\"1\"\u003eShahram Gholami\u003c\/b\u003e (oud), \u003cb data-mce-fragment=\"1\"\u003eAli Razmi\u003c\/b\u003e and \u003cb data-mce-fragment=\"1\"\u003eAtabak Elyasi\u003c\/b\u003e (setar), \u003cb data-mce-fragment=\"1\"\u003eReza Asgarzadeh\u003c\/b\u003e (doudouk), \u003cb data-mce-fragment=\"1\"\u003eBabak Riahipour\u003c\/b\u003e (bass), \u003cb data-mce-fragment=\"1\"\u003eAli Rahimi\u003c\/b\u003e (daf and percussion).\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWho can stop Eve from singing? \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWho can stop the water from running or the wind from blowing?\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSince the first woman of creation, women’s voices have been heard wherever mankind has settled, singing songs of love and joy, sorrow and comfort.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe power of their voices is strong. But, to try to control or ban their songs is like opposing the power of the creation itself.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTrack list:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1. I am Eve                                                       7:02\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2. Mystery                                                       5:00\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e3. Kurdish song                                              6:08\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e4. The mirror of the morning wine                6:02\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e5. Navai                                                           6:36\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e6. Sorrowful spring                                         6:06\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e7. King of love\u003cstrong\u003e                                                 \u003c\/strong\u003e     8:43\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e8. Mirage                                                         5:03\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e9. Land of love                                                4:22\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e10. Caravan                                                     4:59\u003c\/span\u003e\u003c\/p\u003e","brand":"Kirkelig Kulturverksted","offers":[{"title":"Default Title","offer_id":41607303266499,"sku":"FXCD335","price":179.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7116\/3587\/products\/FXCD335_1500x1500_IamEve.jpg?v=1647263710"},{"product_id":"carola-i-denna-natt-blir-varlden-ny-cd","title":"Carola \/\/ I Denna Natt Blir Världen Ny \/\/ CD","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eJul i Betlehem II (Christmas in Bethlehem II)\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCarola has recorded a new collection of old and new Christmas songs in the Holy Nativity Church in Bethlehem, bringing moods and sounds from the region of the world where Christ was born.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCarola’s second visit to the city of David has inspired her to give us new interpretations of famous Christmas songs, featuring the musical expression of Bethlehem. On this CD Carola's wonderful voice is complemented by musicians from Norway, Sweden and the Middle East.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHere is what she herself and producer Erik Hillestad say about the production: \u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBethlehem – where you still hear the heartbeat of history. The event that occurred in a poor stable in this city gave the world new hope, changing the course of history so completely that our era starts with this birth. \u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEight years after our first \"Jul i Betlehem\" (Christmas in Bethlehem) we returned to this emotionally charged city where the earth received the heavens. We wanted to find inspiration here for new interpretations of the songs of Christmas. This time we found that we were able to delve even further into a musical world of new melodies and oriental moods. What happened once upon a time in Bethlehem means something to the life of individuals across the globe, each and every day. God came to visit our earth, as he comes to each and every person who receives him. The miracle of the nativity in Bethlehem happens again and again, and each new Christmas reminds us of this wonder. Each Christmas our personal joyous celebration is confirmation that God is part of our lives. \u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSinging the songs of Christmas where everything started is like joining a pilgrimage through the message of Christmas, ever relating the strange and wonderful story as the shepherds and the Magi did the very first time. \u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSince our first visit many people have left Bethlehem. The wall that now surrounds this little city testifies to how mankind needs the advent of the Messiah. The walls we erect around ourselves and our lives are also signs of this need. We wish that each and every one of us could be touched by the miracle of Christmas, so that love can break down the walls and everything that separates us from God and each other. \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp style=\"text-align: right;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eErik Hillestad and Carola\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe record features the following musicians: \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTorjus Vierli: piano, keyboards, autoharp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRune Arnesen: drums, percussion\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJonny Sjo: electric bass\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHallgrim Bratberg: guitars\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIssa Murad: oud\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eElchin Hashimov: tar\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eElnur Akhmedov: kamancha\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShirzad Fataliyev: duduk and zurna\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eElshan Gasimov: nagara\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eStig-Ove Ose, Anders Rensvik and Bendik Foss: violas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMarius Flatby: double bass\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAudun Sandvik and Øystein Sonstad: cello\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGjermund Larsen: violin and Hardanger fiddle\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAygun Beyler, Mahsa Vahdat, Angela Holland, Johan Röhr, Micke Blomkvist, Per Øystein Sørensen and Marian Lisland: background vocals\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTrack list: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1. Stille natt                                                              4:04\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2. lyss till änglasångens ord                                   5:33\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e3. Gläns över sjö och strand                                  3:41\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e4. I denna natt blir världen ny                                3:53\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e5. Her kommer dine arme små                               2:58\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e6. När det lider mot jul                                            3:15\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e7. Vid Betlehem en vinternatt                                 3:29\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e8. Ett barn är fött på denna dag                             3:00\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e9. Mariavisa                                                              4:50\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e10. Jul, jul, strålende jul                                           3:16\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e11. Marias Vaggsång                                                3:37\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e12. This child                                                            3:18\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e13. Go, tell it on the mountain                                 5:11\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e14. Nu tändas juleljus                                               3:23\u003c\/span\u003e\u003c\/p\u003e","brand":"Kirkelig Kulturverksted","offers":[{"title":"Default Title","offer_id":41626288259267,"sku":"FXCD3262","price":179.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7116\/3587\/products\/FXCD326Carola1000x1000.jpg?v=1647859440"},{"product_id":"mahsa-vahdat-skruk-braids-of-innocence-cd","title":"Mahsa Vahdat \u0026 SKRUK \/\/ Braids of innocence \/\/ CD","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eThe album that became part of the Iranian women’s struggle for freedom\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eMahsa Vahdat and SKRUK: “Braids of innocence”. Harp: Ellen Bødtker\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p4\" data-mce-fragment=\"1\"\u003eWhen the new CD \u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eproject\u003c\/span\u003e with Mahsa Vahdat and SKRUK was about to be recorded in the summer of 2022, Mahsa proposed the title “Braids of innocence”. \u003cspan class=\"s2\" data-mce-fragment=\"1\"\u003eLittle did she know then how explosive this title would come to be in light of events in her homeland Iran just some months later.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p4\" data-mce-fragment=\"1\"\u003eThe roots of the title are found in an incident from Mahsa’s childhood which one of the texts tells us about. She was 11 years old and about to visit her uncle who had been imprisoned in Teheran for political \u003cspan class=\"s3\" data-mce-fragment=\"1\"\u003eactivities\u003c\/span\u003e. This was a few years after the Islamic revolution, and it had become compulsory for all females from age 9 and up to wear a headdress. The same morning Mahsa’s mother had made a cluster of braids in the girl’s thick hair. When they came to the prison and met her uncle who was sitting behind a glass wall with some tens of other prisoners, the mother managed to surreptitiously show the uncle Mahsa’s braids, and for the imprisoned men the glimpse they had of the braids was like a ray of freedom.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p4\" data-mce-fragment=\"1\"\u003eThe Iranian musicians Mahsa Vahdat and Atabak Elyasi have worked on this \u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eproject\u003c\/span\u003e for three years for Mahsa and SKRUK and the harpist Ellen Bødtker. Mahsa has written the melodies, Atabak has written poems and arrangements and additional melodies for the choir, and the producer Erik Hillestad has rendered the poems into English. Mahsa, SKRUK and the publisher, KKV, agreed in the summer to use the exquisitely subtle title “Braids of innocence” for the album. Everyone saw it as somewhat special, but also as an original and exciting source of curiosity. But that was before 18 September when Mahsa Amini was murdered by the morality police in Tehran because her veil did not \u003cspan class=\"s3\" data-mce-fragment=\"1\"\u003eadequately cover her braids\u003c\/span\u003e. This act ignited a rage in the hearts and fed the yearning for freedom of an entire generation of Iranian women. And braids also became a symbol, a freedom flag for women around the globe. It also instantly made Mahsa Vahdat’s and SKRUK’s album a rallying manifesto, an explosive comment on the streaming news this autumn.\u003c\/p\u003e\n\u003cp class=\"p4\" data-mce-fragment=\"1\"\u003eIn Mahsa’s words: “The \u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eproject\u003c\/span\u003e acquired a new dimension as the events in my home country of Iran were commented on so directly by both the title and the content of the songs we had recorded. The performance of my art has always been driven by the constant ambition to use my expressive power to raise \u003cspan class=\"s3\" data-mce-fragment=\"1\"\u003eawareness and kindle hope against suffering and injustice\u003c\/span\u003e, so for me this project has been extra important”.\u003c\/p\u003e\n\u003cp class=\"p4\" data-mce-fragment=\"1\"\u003e“Braids of innocence” also features several other songs that are highly relevant for the world’s first revolution led by women, the struggle for freedom being fought in Iran: “The tyrants will lose”, “I came free”, “Wakeful night”, and the opening track “A thousand birds will chant your song” are all poems and melodies that cut right to the heart of this issue. Two other poets are also featured on the record: the classic Rumi and the contemporary poet Mohammad Ibrahim Jafari.\u003c\/p\u003e\n\u003cp class=\"p4\" data-mce-fragment=\"1\"\u003eMahsa and Atabak call themselves “liberal traditionalists”, and the music on the album is thus a special genre. SKRUK’s conductor, Per Oddvar Hildre describes it as tonal paintings. Ellen Bødtker’s harp is the centre point for the soloist’s and choir’s sound palette, where Atabak’s harmonies break with most rules for choral arrangements. The overriding effect is both unusual and exquisitely beautiful. It is also a torch lighting the way for how the Western countries should address the on-going protests and the Iranian regime’s abusive treatment of its own people.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p5\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp class=\"p4\" data-mce-fragment=\"1\"\u003eThe album was recorded in Volda Church in August 2022 by Alf Christian Hvidsteen.\u003c\/p\u003e","brand":"Kirkelig Kulturverksted","offers":[{"title":"Default Title","offer_id":42254633566403,"sku":"FXCD494","price":179.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7116\/3587\/products\/FXCD494_1000x1000_b29d3711-dc3d-458a-9666-c7ee227e4d9d.jpg?v=1669973840"},{"product_id":"marjan-vahdat-the-eagle-of-my-heart","title":"Marjan Vahdat \/\/ The Eagle of my Heart \/\/ CD","description":"\u003cp\u003e\u003cstrong\u003e“Singing gives me a freedom that even conquers self-censure”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSo says Marjan Vahdat. She has now finished a brand new album on which she sings a cappella, without instrumental accompaniment. On her record “The Eagle of My Heart” her powerful voice rings out in all its naked glory.\u003c\/p\u003e\n\u003cp\u003e“When I sing a cappella I can express my feelings more or less unfiltered. My voice is completely naked, and while I sing I can observe all the details and play with elements that I don’t notice as well when I’m singing with instruments accompanying me,” she says.\u003c\/p\u003e\n\u003cp\u003eOn the new album Marjan has included some recordings of voices that have shaped her as a singer, also these a cappella, almost like taking a documentary break in her otherwise meditative and very beautiful performance. We hear the voices of her father and grandmother and of one of her father’s cousins.\u003c\/p\u003e\n\u003cp\u003e“My voice is a gift I have inherited. Each time I sing I have an immediate connection to the voices that have influenced me throughout my life. These voices are a constant reminder to me to carry their hopes and dreams forward. When I sing a cappella I never feel that I’m singing alone,” Marjan adds.\u003c\/p\u003e\n\u003cp\u003eShe says that she has been urged many times to record an a cappella album. But it is first and foremost due to her artistic curiosity that she has now realised this idea and the fact that she quite often performs without instrumental accompaniment, having done so all her life.\u003c\/p\u003e\n\u003cp\u003eApart from two songs from the Lorestan province, Marjan Vahdat has composed all the melodies herself, one of them inspired by music from the historical region of Khorasan. The lyrics are from various Iranian poets, some of them classical, such as Rumi and Hafez, and some contemporary, such as Forough Farrokhzad and Sohrab Sepehri, poets who have meant much to the movement that is now demanding equality and freedom for women in Iran.\u003c\/p\u003e\n\u003cp\u003eEach of the songs conveys a little story. The title melody, for example, has lyrics written by Marjan that tells of Atash and her sorrow for the loss of her niece, 18-year-old Nika Shakarim, recently killed by the authorities because she took part in demonstrations under the slogan “Women, life, freedom\". Since this murder Atash has written daily about Nika on social media.\u003c\/p\u003e\n\u003cp\u003e“Lullaby for Taher” is a song in Kurdish language about another victim of the rain of bullets fired by the authorities, Taher Azizi from Piranshahr. His mother recently sang this song for him after he was shot during a protest march. Marjan has written another melody, but the lyrics are the same.\u003c\/p\u003e\n\u003cp\u003e“My Savior” is part of a long poem by Tahere, a female poet from the nineteenth century. Marjan’s grandmother would often sing this poem. We also hear an old recording of her voice together with Marjan. Singing solo is forbidden for women in Iran. Marjan says that she believes that her grandmother imagined that she was facing a large audience every time she sang this song.\u003c\/p\u003e\n\u003cp\u003eBecause of the situation for female singers in Iran, Marjan has lived in exile in California for some years. “Living in exile resonates deeply in me, stirring profound emotions and inspiring my songwriting”, she says.\u003c\/p\u003e\n\u003cp\u003eThe album “The Eagle of my Heart” was recorded in Tøyen Church in Oslo, produced by Erik Hillestad and released by KKV.\u003c\/p\u003e","brand":"Kirkelig Kulturverksted","offers":[{"title":"Default Title","offer_id":42923292295363,"sku":"FXCD503","price":179.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7116\/3587\/files\/3000x3000_FORSIDE_FXCD503_Marjan_VaahdatThe_Eagle_of_my_Heart.jpg?v=1709216731"},{"product_id":"diverse-artister-i-begynnesen-var-pulsen-50-ars-lidenskap-fxlp-boks2","title":"I begynnelsen var pulsen - Kirkelig Kulturverksted 50 års lidenskap \/\/ 4LP","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e\u003cstrong\u003eANNIVERSAY LP BOX \/\/ IN THE BEGINNING THERE WAS THE PULSE\u003c\/strong\u003e \u003cbr\u003eOn 18 October KKV is launching “In the beginning there was the pulse” – a triple LP with hand-picked selections from the company’s six fabulous decades, celebrating the 50 years’ anniversary of KKV (1974 – 2024). \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eThis is a special edition where each LP side offers remastered songs from each their decade. The numbered boxes include a booklet packed with information and an overview of all KKV’s releases, pictures from selected art and architecture \u003c\/span\u003e\u003cspan style=\"mso-fareast-font-family: Calibri; mso-bidi-font-family: Aptos; mso-bidi-theme-font: minor-latin; color: #231f20; mso-bidi-font-weight: bold;\" lang=\"EN-US\"\u003eproject\u003c\/span\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003es, an introduction written by Erik Hillestad and a fresh essay written by Arne Guttormsen. And a special treat for the hi-fi connoisseur: It is stamped on180 gram LP records. The music has been selected by the KKV founder, lyricist and producer Erik Hillestad. \u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003e18 oktober lanserer Kirkelig Kulturverksted «I begynnelsen var pulsen» – en trippel-LP med håndplukkede kutt fra selskapets fem tiår. En praktutgivelse hvor du på hver LP-side finner remastrede låter fra hvert sitt tiår. \u003c\/span\u003e\u003c\/h5\u003e\n\u003ch5\u003e\u003cspan\u003eBoksene er nummerert, og rommer også en innholdsrik booklet med bla. en samlet oversikt over alle KKVs utgivelser, bilder fra utvalgte kunst- og arkitekturprosjekter, en introtekst av Erik Hillestad og et nyskrevet essay av Arne Guttormsen. Og en liten godbit til hi-fi-entusiasten: Den er trykket på 180 grams LP-plater. Utvalget av musikk er gjort av husets gründer, tekstforfatter og produsent Erik Hillestad.\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003eKirkelig Kulturverksted 1974 – 2024\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eSide A: 70-tallet\u003cspan style=\"mso-tab-count: 2;\"\u003e                     \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e1.Bakerste benk - Bjørn Eidsvåg - \u003c\/b\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eFra «Bakerste benk» FXLP 13, 1978\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e2\u003c\/b\u003e.\u003cb\u003eLangt inn på ville heii - Sondre Bratland - \u003c\/b\u003eFra «Når klokkune gjeve dur» FXLP 8, 1976\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e3\u003c\/b\u003e.\u003cb\u003eLektie fra Alle Helgen Messe - Nordstrand Kirkekor - \u003c\/b\u003eFra «Alle Helgen Messe» NKLP 5\u003cspan style=\"color: black; mso-themecolor: text1;\"\u003e, 1976 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"color: red;\"\u003e\u003c\/span\u003e\u003cb\u003e4\u003c\/b\u003e.\u003cb\u003eEen Dobbel Deylighed - Erik Bye - \u003c\/b\u003eFra «Een Dobbel Deylighed» FXLP 15, 1978\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e\u003c\/span\u003e\u003cb\u003e5\u003c\/b\u003e.\u003cb\u003eAkk mon min vei til Kanaan - SKRUK og Vårsøg - \u003c\/b\u003eFra «Av moll er du komen til dur skal du bli» \u003cspan style=\"mso-bidi-font-family: Calibri; color: black;\"\u003eFXLP14, 1978\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e6.Kilden - Ragnar Vigdal - \u003c\/b\u003eFra «Tonereise til ei gamal samtid» \u003cspan style=\"mso-bidi-font-family: Calibri; color: black;\"\u003eFXLP17, 1979\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eSide B: 80-tallet\u003cspan style=\"mso-tab-count: 8;\"\u003e                                                                                            \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e\u003c\/span\u003e\u003cb\u003e1\u003c\/b\u003e.\u003cb\u003ePå Karl Johan - Det norske Kammerkor og Ytre Suløens Jassensemble - \u003c\/b\u003eFra: «Til Oslo for å gjere seg feit» \u003cspan style=\"mso-bidi-font-family: Calibri; color: black;\"\u003eFXLP 22, 1980\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 9.0pt; font-family: 'Calibri',sans-serif; color: black;\"\u003e \u003c\/span\u003e\u003cb\u003e2\u003c\/b\u003e.\u003cb\u003eEn salme fra fordømte - Div artister - \u003c\/b\u003eFra «Dans med oss Gud» FXLP 36, 1982\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e3.Håveprat - Bjørn Eidsvåg - \u003c\/b\u003eFra «Passe gal» FXLP 40, 1983\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e4.Då barnå forsvant - Sigvart Dagsland - \u003c\/b\u003eFra «De umulige» FXLP 67, 1987\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e5.Mitt hjerte hamrer og hamrer - Kari Bremnes - \u003c\/b\u003eFra «Mitt ville hjerte» \u003cspan style=\"mso-bidi-font-family: Calibri; color: black;\"\u003eFXLP 71, 1987\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan style=\"color: black; mso-themecolor: text1;\"\u003e6.Han rakk ikke å elske - Jørn Simen Øverli - \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"color: black; mso-themecolor: text1;\"\u003eFra «Levende bandasjer» FXLP 89, 1989\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eSide C: 90-tallet\u003cspan style=\"mso-tab-count: 8;\"\u003e                                                                                            \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e1\u003c\/b\u003e.\u003cb\u003e\u003cspan style=\"color: black; mso-themecolor: text1;\"\u003eSlipp mine fløyter fri - SKRUK og Altiplano - \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"color: black; mso-themecolor: text1;\"\u003eFra «Slipp mine fløyter fri», FXLP 98, 1990\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e2\u003c\/b\u003e.\u003cb\u003eNærmere deg, min Gud - Ole Paus - \u003c\/b\u003eFra «Salmer på veien hjem» FXLP 105, 1991\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e3\u003c\/b\u003e.\u003cb\u003eFestung Europa - Sigvart Dagsland - \u003c\/b\u003eFra «Bedre enn stillhet» FXCD 119, 1992\u003cb\u003e \u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e4\u003c\/b\u003e.\u003cb\u003eMin død er mig til gode - Iver Kleive og Knut Reiersrud - \u003c\/b\u003eFra: «Blå koral» FXLP 106, 1991\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e5\u003c\/b\u003e.\u003cb\u003eScene i skogen - Kari Bremnes - \u003c\/b\u003eFra «Løsrivelse» FXCD 123, 1993\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eSide D: 00-tallet\u003cspan style=\"mso-tab-count: 8;\"\u003e                                                                                           \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e \u003c\/span\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003cb\u003e1.Dilelol - Sleep my child - Amel Kthyer, Halla Bassam og Eva Dahlgren - \u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eFra “Lullabies from the Axis of Evil” FXCD 269, 2004\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e\u003cb\u003e2.Weakness (Is a Thing Called Man) - Knut Reiersrud - \u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eFra “Woodo without killing chicken” FXCD 340, 2008\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e\u003cb\u003e3.The Carmel of my Soul - Rim Banna -  \u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eFra “Mirrors of my soul” FXCD 288, 2005\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e\u003cb\u003e4.Earth - Mahsa Vahdat og Mighty Sam McClain - \u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eFra “Scent of Reunion” FXCD 351, 2009\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eSide E: 10-tallet\u003cspan style=\"mso-tab-count: 7;\"\u003e                                                                                \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e1.Kyrie – Diverse artister - \u003c\/b\u003eFra «To messer for kjærlighet» FXCD 391, 2013\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e\u003cb\u003e2.Summer came with you - Maria Solheim - \u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eFra “Stories of new mornings” FXCD 448, \u003cspan style=\"color: black; mso-themecolor: text1;\"\u003e2018\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e3.Vær her for meg\u003c\/b\u003e - \u003cb\u003eEllen Sofie Hovland - \u003c\/b\u003eFra «Vær her for meg» FXCD 385, \u003cspan style=\"color: black; mso-themecolor: text1;\"\u003e2012\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e4.Gråt og dans - Solveig Slettahjell og Tord Gustavsen - \u003c\/b\u003eFra «Fabler om en åpen kirke» FXCD 412, 2015\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e5.My ruthless companion - \u003c\/span\u003eMahsa og Marjan Vahdat og Kronos Quartet - \u003c\/b\u003eFra «Placeless» FXCD 457, 2019\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eSide F: 20-tallet\u003cspan style=\"mso-tab-count: 6;\"\u003e                                                                    \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003cb\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e1.Every Child is a Prophet - Haneen Ayoub og Marthe Valle - \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eFra “Every child is a Prophet” FXCD 467, 2020\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e2.Hjerterota - Sarah Camille - \u003c\/b\u003eFra «Vingeslag» FXCD 482, 2021\u003cspan style=\"color: red;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e3.Me va samen - Randi Tytingvåg Trio - \u003c\/b\u003eFra “Hjem” FXCD 501, 2023\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e4.Inst inni meg - Andreas Utnem og Tuva Syvertsen - \u003c\/b\u003eFra «Du kjenner meg» FXCD 491, 2023\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e5.Uprøvde friheter - Maria Mohn - \u003c\/b\u003eFra «Uprøvde friheter» FXCD 500, 2023\u003c\/p\u003e","brand":"Kirkelig Kulturverksted","offers":[{"title":"Default Title","offer_id":43923540443331,"sku":"FXLPBOKS2","price":1299.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7116\/3587\/files\/KKV_50_ar_LP_CoverRGB_4_3a32150f-31bf-4312-a888-9d472f7f0093.jpg?v=1725614911"},{"product_id":"kjersti-kveli-and-young-iranian-women-voices-growing-songs-cd","title":"Kjersti Kveli and young Iranian women voices \/\/ Growing songs \/\/ CD","description":"\u003cdiv class=\"OutlineElement Ltr SCXW189382531 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW189382531 BCX0\" paraid=\"1910631304\" paraeid=\"{cbd2e2f5-4958-4e45-8745-465a0c3e5634}{176}\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun MacChromeBold SCXW189382531 BCX0\" xml:lang=\"EN-GB\"\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eGrowing\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e songs\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW189382531 BCX0\" data-ccp-props=\"{}\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW189382531 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW189382531 BCX0\" paraid=\"1942076280\" paraeid=\"{cbd2e2f5-4958-4e45-8745-465a0c3e5634}{188}\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun MacChromeBold SCXW189382531 BCX0\" xml:lang=\"EN-GB\"\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eThe \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003epopular\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eIranian \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eartist \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eMahsa Vahdat \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eand seven of her students have cultivated \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003ethese \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003esongs\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e.\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e Henning \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW189382531 BCX0\"\u003eSommerro\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eha\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003es\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e arrange\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003ed them as duets \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"none\" lang=\"EN-GB\" class=\"TextRun MacChromeBold SCXW189382531 BCX0\" xml:lang=\"EN-GB\"\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003ebetween\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun MacChromeBold SCXW189382531 BCX0\" xml:lang=\"EN-GB\"\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e the student\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003es\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e and the Norwegian singer\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e Kjersti Kveli.\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eYou can hear the result on the new album\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e“\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eGrowing Songs\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e”\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e.\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW189382531 BCX0\" data-ccp-props=\"{}\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Paragraph SCXW189382531 BCX0\" paraid=\"1942076280\" paraeid=\"{cbd2e2f5-4958-4e45-8745-465a0c3e5634}{188}\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun MacChromeBold SCXW189382531 BCX0\" xml:lang=\"EN-GB\"\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW189382531 BCX0\" xml:lang=\"EN-GB\"\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eThere are oases of songs in \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eIran.\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eThe tyrannical regime has created a climate \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003ethat\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e has \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003edesiccated\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e the musical landscape\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e.\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eNo women are allowed to \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eblossom with \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003etheir \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003ecolourful voices\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e.\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eIn the middle of this \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003ebarren\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e landscape \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eMahsa Vahdat \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003ehas created an oasis, a fertile garden where she and her student\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003es\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e can \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003egrow\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e songs\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e.\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eThe oasis has branches \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003ereaching out \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003efrom \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eIran \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eto Iranian diasporas \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003earound\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e the world\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e.\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW189382531 BCX0\" data-ccp-props=\"{}\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW189382531 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW189382531 BCX0\" paraid=\"1882099414\" paraeid=\"{45af5c42-aeff-4dd8-abe3-fb09a564b431}{69}\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW189382531 BCX0\" xml:lang=\"EN-GB\"\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW189382531 BCX0\" xml:lang=\"EN-GB\"\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eN\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eow you can find a selection of the songs they have \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003egrown\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e on a music release \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003efrom\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e KKV\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e.\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eWhen you open this \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eherbarium\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e and listen to the songs \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eMahsa \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eand \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eher \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003estudent\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003es\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e have \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003egrown\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e, you will \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003ediscover\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e their beauty and understand how they \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003emanage\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e to \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun Highlight SCXW189382531 BCX0\" xml:lang=\"EN-GB\"\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003epreserve and develop\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW189382531 BCX0\" xml:lang=\"EN-GB\"\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e Iran\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e’s ancient\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e musical garden\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e. \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW189382531 BCX0\" data-ccp-props=\"{}\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW189382531 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW189382531 BCX0\" paraid=\"196065222\" paraeid=\"{45af5c42-aeff-4dd8-abe3-fb09a564b431}{133}\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW189382531 BCX0\" xml:lang=\"EN-GB\"\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW189382531 BCX0\" xml:lang=\"EN-GB\"\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eBut you \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003ewill not\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eonly \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003ehear \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eIranian singers and \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003ethe \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003ePersi\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003ea\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003en language on this album\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e as\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW189382531 BCX0\" data-ccp-props=\"{}\"\u003e \u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW189382531 BCX0\" xml:lang=\"EN-GB\"\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003ea\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eunique\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e Norwegian musical talent \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eis \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003ealso \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eparticipat\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eing\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e. \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eHer name is \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eKjersti Kveli\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e, a singer\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003efrom \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003ethe Norwegian \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eregion\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e of \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW189382531 BCX0\"\u003eSnåsa\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e.\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eShe is a rare mixture of \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003ea \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003efolk music tradition\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eist\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e and \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003esinger\/songwriter. \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eHenning \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW189382531 BCX0\"\u003eSommerro\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003ehas composed\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e melodies based on \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003ethe \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003ePersian material but \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eadapted \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003efor\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eKjersti\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e’\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003es \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003evoice\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e. \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW189382531 BCX0\" data-ccp-props=\"{}\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW189382531 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW189382531 BCX0\" paraid=\"53673019\" paraeid=\"{45af5c42-aeff-4dd8-abe3-fb09a564b431}{241}\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW189382531 BCX0\" xml:lang=\"EN-GB\"\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW189382531 BCX0\" xml:lang=\"EN-GB\"\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eThe original texts \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003ehave been\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e written by \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003econtemporary Iranian poets such as \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eForough\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e Farrokhzad, Houshang \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW189382531 BCX0\"\u003eEbtehaj\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eand classic\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eal\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e poets such as \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eHafez \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eand\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e Rumi. Mahsa Vahdat \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eand \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eErik Hillestad ha\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eve \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003erendered\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e them\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e into Norwegian \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003efor\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eKjersti Kveli. \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun Highlight SCXW189382531 BCX0\" xml:lang=\"EN-GB\"\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eT\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003ehe \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003etheme\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e is the \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eenigmatic\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003epaths\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eof\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e l\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eove\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW189382531 BCX0\" xml:lang=\"EN-GB\"\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e and \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003ethe \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003emysteries\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e of life\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e.\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW189382531 BCX0\" data-ccp-props=\"{}\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW189382531 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW189382531 BCX0\" paraid=\"688128181\" paraeid=\"{9dea614d-0fac-4e05-916f-938633650c85}{68}\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW189382531 BCX0\" xml:lang=\"EN-GB\"\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW189382531 BCX0\" xml:lang=\"EN-GB\"\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eHenning \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eaccompanies\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eon \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003epiano with \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eGjermund Silset \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eon bass and the Iranian flute player\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e Mehdi \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW189382531 BCX0\"\u003eTeymoori\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e.\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eWhen listening to the music you will discover how\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e the flowers\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e Mahsa \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eand her students have \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003egrown \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003ecan become\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e beautiful \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003ebouquets\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003etogether with the\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e singers and musicians from two cultures\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e.\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW189382531 BCX0\" data-ccp-props=\"{}\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW189382531 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW189382531 BCX0\" paraid=\"1402811635\" paraeid=\"{9dea614d-0fac-4e05-916f-938633650c85}{118}\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW189382531 BCX0\" xml:lang=\"EN-GB\"\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW189382531 BCX0\" xml:lang=\"EN-GB\"\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eThe seven \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003estudents\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e,\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e all with backgrounds from Iran\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e,\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e are \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eAdrienne \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW189382531 BCX0\"\u003eShamzad\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e, Sally \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW189382531 BCX0\"\u003eKheirandish\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e, Elana Sasson, Yasaman, Emma, \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eShay\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eand\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eKiana\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e. \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eThey live in Norway\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e, Iran, \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eAustria\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e, \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003ethe Netherlands\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e, \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eSpa\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003ei\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003en\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eand the \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eUSA.\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eThey have selected the poems and \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003ecollaborated with \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eMahsa \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eon \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eshaping \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003ethe melodies\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e.\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW189382531 BCX0\" data-ccp-props=\"{}\"\u003e \u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW189382531 BCX0\" xml:lang=\"EN-GB\"\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW189382531 BCX0\" xml:lang=\"EN-GB\"\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eThe album has been produced by \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eMahsa Vahdat \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eand \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eErik Hillestad\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eand recorded and mixed by the latter\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e. \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eThe \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"none\" lang=\"EN-US\" class=\"TextRun SCXW189382531 BCX0\" xml:lang=\"EN-US\"\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eproject\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW189382531 BCX0\" xml:lang=\"EN-GB\"\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e is part of a long-term music education\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e project\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"none\" lang=\"EN-GB\" class=\"TextRun SCXW189382531 BCX0\" xml:lang=\"EN-GB\"\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eestablish\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eed\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW189382531 BCX0\" xml:lang=\"EN-GB\"\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e a\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003end \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eled\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e by\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e Mahsa Vahdat. \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eThis part \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eof it \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eis funded by \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003eArts and Culture Norway\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW189382531 BCX0\"\u003e.\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW189382531 BCX0\" data-ccp-props=\"{}\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW189382531 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW189382531 BCX0\" paraid=\"629088105\" paraeid=\"{9dea614d-0fac-4e05-916f-938633650c85}{240}\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW189382531 BCX0\"\u003e\u003c\/div\u003e\n\u003cp\u003e1. Gaven • The gift • 3:46\u003c\/p\u003e\n\u003cp\u003eAdrienne Shamzad\/Kjersti Kveli\u003c\/p\u003e\n\u003cp\u003e2. Brevet til vinbæreren • Letter to the wine bearer • 4:16\u003c\/p\u003e\n\u003cp\u003eSally Kheirandish\/Kjersti Kveli\u003c\/p\u003e\n\u003cp\u003e3. Kom solgull • Greeting the sun • 6:52\u003c\/p\u003e\n\u003cp\u003eElana Sasson\/Kjersti Kveli\u003c\/p\u003e\n\u003cp\u003e4. Mine øyne • My eyes • 4:27\u003c\/p\u003e\n\u003cp\u003eYasaman\/Kjersti Kveli\u003c\/p\u003e\n\u003cp\u003e5. Hundre stråler brant • Rays of love • 5:24\u003c\/p\u003e\n\u003cp\u003eEmma\/Kjersti Kveli\u003c\/p\u003e\n\u003cp\u003e6. Frihetens morgen • Morning of freedom • 4:23\u003c\/p\u003e\n\u003cp\u003eShay\/Kjersti Kveli\u003c\/p\u003e\n\u003cp\u003e7. Da gledesola rant • Good news came • 5:44\u003c\/p\u003e\n\u003cp\u003eAdrienne Shamzad\/Kjersti Kveli\u003c\/p\u003e\n\u003cp\u003e8. Snart vil dagen komme • The dawn is coming • 6:27\u003c\/p\u003e\n\u003cp\u003eKiana\/Kjersti Kveli\u003c\/p\u003e\n\u003cp\u003e9. Dag og natt • Day and night • 4:54\u003c\/p\u003e\n\u003cp\u003eSally Kheirandish\/Kjersti Kveli\u003c\/p\u003e\n\u003cp\u003e10. Stedløs • My place is placelessness • 4:14\u003c\/p\u003e\n\u003cp\u003eElana Sasson\/Kjersti Kveli\u003c\/p\u003e","brand":"KKV Nettbutikk","offers":[{"title":"Default Title","offer_id":43985262674115,"sku":"FXCD508","price":179.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7116\/3587\/files\/1000x1000_FXCD508_KjerstiIranianWomen.jpg?v=1728030519"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7116\/3587\/collections\/Mahsa.gif?v=1643883994","url":"https:\/\/kkvbutikken.myshopify.com\/en\/collections\/mahsa-vahdat.oembed","provider":"KKV Nettbutikk","version":"1.0","type":"link"}